Minggu, 07 Desember 2008

Meat Grinder: First Preview

Thai is still hot with their politic issues and their gory horrors also. Here are some revealing posters for the upcoming Thai gory fest, "Meat Grinder," that probably want to follow the success of "Art of the Devil" trilogy. The film is being made by local movie production house Phranakorn film (who've released some pretty good upper end B-horror movies in the past) and apparently due for release, sometime early in the new year.meat_grinder_poster_01 meat_grinder_poster_02
(Continue the Trip)

Thirst: Second Preview

Via 24fps, here is the new synopsis for Park Chan-wook's "Thirst." Hey, there's also some behind-the-scenes footage of Park directing and showing off some Thirst storyboards for those newshounds over at CNN like you can check below or here. "Thirst" is currently slated to open in Korea next summer, exactly on May 09.

Synopsis: Sang-hyun, a small town beloved and admired priest who serves devotedly at a hospital, volunteers for the new infectious disease, F.I.V.’s, vaccine development experiment and goes to Africa. The experiment fails and Sang-hyun gets infected by F.I.V. but he ends up being miraculously cured and returns home. News of Sang-hyun’s cure from F.I.V. spreads and people start believing he has the gift of healing and flock to receive his blessing. From those who come to him, Sang-hyun meets a childhood friend named Kang-woo and his wife Tae-ju. Sang-hyun is immediately drawn to Tae-ju. One day, Sang-hyun coughs up blood, dies, and comes back to life the next day as a vampire. Tae-ju is strangely drawn to Sang-hyun, turned vampire, and they have a secret love affair. Sang-hyun asks Tae-ju to run away with him but she turns him down. Instead, they plot to murder Kang-woo...



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Written: Preview

Critics often write about the viewer’s experience of a film, where the actor enables him to “get inside a character”. But is this real empathy or is the relationship the audience has with fictional characters more akin to subjugation or sadistic manipulation? These and other issues are examined in this self-reflexive South Korean film conceived as a complex meditation on the identity of the character in a fictional story. Man A (Lee Jin-seok) wakes up to find he has an injury, he’s in a bath in a strange place, from where he is directed to another place against his will. He then encounters the alter ego of his creator, the actor who plays him, who enters the story as a parasite, and he meets other characters along the way whose own goals are also unrelated to the prescribed screenplay. The film was made in a small studio which, itself, becomes a set inside the film; it reflects upon all levels of the filmmaking process, from the script and actual shooting, to the given film style and the “eye” of the camera.

South Korean director Kim Byung-Woo uses intense cut-ups and surreal environments, to create a Kafkaesque metafilm about a man lost in the blur between fiction and reality. While protagonist A is trying to find his way through a brightly colored cinematic world, the director is portrayed on screen, searching for the missing script that contains the production’s end. At the same time, the writer has written herself into the plot, to warn A against the stalking actor portraying him. With clever acting and a thought-provoking script, the art of moviemaking is dissected to the very core. As a confused A asks his creator and writer: Are you writing me, or am I being written by you? Indeed.

(Continue the Trip)

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